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The next day Margo does not come to school, and after a few days, some consider her missing, others just conclude she left for an undisclosed location.
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He begins to learn how to assert himself and to take chances. The event gives Quentin hope that he finally has a chance to develop a closer relationship with Margo. (It is revealed later that Lacey was unaware of the affair until she was pranked). Margo accuses Lacey of not telling her about the affair. After buying supplies, they pull humiliating pranks on Jason and Rebecca, and their friends, including Margo's best friend, Lacey Pemberton ( Halston Sage). Margo discovers that her boyfriend, Jason "Jase" Worthington (Griffin Freeman), was unfaithful (having sex) with one of her friends, Rebecca "Becca" Arrington ( Caitlin Carver). One night, Margo climbs through Quentin's window and recruits him for an all-night, revenge road trip. His friends are other outcasts, Benjamin "Ben" Starling ( Austin Abrams), and Marcus "Radar" Lincoln ( Justice Smith). In contrast, Quentin is kind and unassertive, but unpopular among his peers.
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After reaching adolescence, Margo becomes one of the popular girls, with an adventurous reputation, at Jefferson Park High School. Unbeknownst to Margo, Quentin has been infatuated with her since they became neighbors. She is a childhood friend from whom he has drifted over nine years after they discovered the corpse of a local lawyer, Robert Joyner (Lane Lovegrove), who killed himself after his divorce. Quentin "Q" Jacobsen (Wolff) lives across the street to Margo Roth Spiegelman (Delevingne) in a subdivision, Jefferson Park, at Orlando, Florida. It was released on Blu-ray and DVD on October 20, 2015, and grossed over $9 million in total domestic video sales. It grossed over $85 million worldwide after the theatrical release, against a $12 million budget.
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In the process, Quentin explores the relationship with his friends including his compatibility with Margo. The film follows the coming of age and search by the protagonist, Quentin "Q" Jacobsen (Wolff), for Margo Roth Spiegelman (Delevingne), his childhood friend and object of affection. The film stars Nat Wolff and Cara Delevingne and was released on July 24, 2015, in the United States by 20th Century Fox. Weber, the same team that wrote the first film adaption of another of Green's novels, The Fault in Our Stars. The film was adapted for the screen by Scott Neustadter and Michael H. Just stay home and watch that, a story about a machine with more humanity than anyone in PT.Paper Towns is a 2015 American romantic mystery comedy-drama film, directed by Jake Schreier, based on the 2008 novel of the same name by John Green.
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We can only blame director Schreier, whose previous film was the under-seen Robot and Frank.
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Stylistically, the movie is forcefully quirky, annoyingly cutesy, and boasts a soundtrack that's like someone pushed the "hipster" button on a Casio Keyboard. Worst yet, in the end PT never takes a stance on Margot, like the movie is trying to have its cake and eat it too. When she's off-screen, the interplay between the friends is watchable, but her bothersome presence is never far away. At times, she represents an idea more than a character, but mostly she's an unbearably selfish, manipulative shrew, using her womanly wiles to get whatever she needs. Our "hero" is drawn to her magnetic mystery, but that appeal never reaches the audience. Instead of being unique, stylish, or progressive, it becomes the lament of the rich-white-teen and the manic pixie dream girl. The premise has potential: nerd spends one magically frivolous night with the enigmatic girl of his dreams, Margot, before she inexplicably disappears. Whatever it is, Paper Towns irritated much more than it charmed. Maybe it's that I'm coming off the high of the teen drama Me and Earl and the Dying Girl. From where is that resentment coming? Maybe it's that I'm a 30-year-old married-father who's not meant to like this movie. Now, with Paper Towns, I feel myself getting irrationally angry at its desperate plea to be this generation's The Breakfast Club. These over-serious, platitude-filled teen dramas used to only mildly annoy me.